Revolution and Romanticism

A facsimile reprint in the Revolution & Romanticism series chosen and introduced by Jonathan Wordsworth

ISBN 1 85477 242 2

174 x 110 mm 96 pages

‘SAPPHO. Engraved for Mrs Robinson’s Sonnets, from a Marble Bust in the Palace of the Prince Giustiniani at Rome’

MARY ROBINSON

Sappho and Phaon 1796

Sappho’s fatal love for Phaon, told by Ovid and put into English verse by Pope, is transformed by Mary Robinson into a narrative sonnet-sequence. It is an unusual and arresting use of the sonnet, made the more striking by her choice not of the usual Shakespearean form, with its final rhymed couplet, but of the Petrarchan version preferred by Milton. In Milton’s hands it was a majestic instrument. In Mary Robinson’s it becomes a sensuous, Keatsian vehicle for a poem of passion and power.

£37.50 $65

When, in the gloomy mansion of the dead,
This with’ring heart, this faded form shall sleep:
When these fond eyes at length shall cease to weep,
And earth’s cold lap receive this fev’rish head:
Envy shall turn away, a tear to shed,
And Time’s obliterating pinions sweep
The spot, where poets shall their vigils keep,
To mourn and and wander near my freezing bed!
Then, my pale ghost, upon th’ Elysian shore,
Shall smile, releas’d from ev’ry mortal care;
While, doom’d love’s victim to repine no more,
My breast shall bathe in endless rapture there!
Ah! no! my restless shade would still deplore,
Nor taste that bliss which Phaon did not share.

(Sonnet xxxvii)



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Poetry of the 1890s